Wim Oepts (1904-1988) was a dutch painter who spent time working in the south of France. He was making these paintings in the late 1950's. I love the convergence of a french sensibility with modernism's sense of flatness, shape and drawing.
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I am a painter born and living in Philadelphia. I started this page in 2010 as a way to organize and collect my own sources of inspiration, and reflect on my experiences looking at and making paintings. I felt like carving out this little space for a particular type of seeing and making, and drawing connections between them. In 2020 I decided to end the project but keep it here as an archive.
Email: aubreylevinthal@gmail.com
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6 comments:
Thank you for posting these, Aubrey. I had never heard of him but I really like him. LIke the way he has of composing, certainly, but also of a sort of emotion, like affection maybe, keeping his vision simple. The wonderful shade of blue, for example, of the building, or the casual way he sends the grassy field sort of shooting into the gray buildings.
Thank you for posting these, Aubrey. I had never heard of him but I really like him. LIke the way he has of composing, certainly, but also of a sort of emotion, like affection maybe, keeping his vision simple. The wonderful shade of blue, for example, of the building, or the casual way he sends the grassy field sort of shooting into the gray buildings.
Thank you for posting these, Aubrey. I had never heard of him but I really like him. LIke the way he has of composing, certainly, but also of a sort of emotion, like affection maybe, keeping his vision simple. The wonderful shade of blue, for example, of the building, or the casual way he sends the grassy field sort of shooting into the gray buildings.
Thank you for posting these, Aubrey. I had never heard of him but I really like him. LIke the way he has of composing, certainly, but also of a sort of emotion, like affection maybe, keeping his vision simple. The wonderful shade of blue, for example, of the building, or the casual way he sends the grassy field sort of shooting into the gray buildings.
Thank you for posting these, Aubrey. I had never heard of him but I really like him. LIke the way he has of composing, certainly, but also of a sort of emotion, like affection maybe, keeping his vision simple. The wonderful shade of blue, for example, of the building, or the casual way he sends the grassy field sort of shooting into the gray buildings.
Thank you for posting these, Aubrey. I had never heard of him but I really like him. LIke the way he has of composing, certainly, but also of a sort of emotion, like affection maybe, keeping his vision simple. The wonderful shade of blue, for example, of the building, or the casual way he sends the grassy field sort of shooting into the gray buildings.
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