![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqm38-Yrbv7zP62NzgVjDREurNFYYfFG09QMHdDdx3ark4qBvI0BRBqwVQULaR1j4mBYL8YDhqxjnq5uw-IuMo-GfefQ6-53llvl23tgNRKwvTtNJRk3_b-fXRPq9Jo6XNo-h1SBWXHPLo/s640/IMG_8685.JPG) |
Milos in the Midday |
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixslRdeKr4J9XM8UxOFduemhmb6ar4GaRfIp9M3pHF394gpDCzxxLwxUSQDrmD9gxDTgnfzCMIyF2ppVPt2_wjc5I_U4q91zfg99KK7QCQXjwT0rHooDCKufYKr16hK99wtENLmUha9SkV/s640/IMG_8682.JPG) |
Milos at Night |
I did these two paintings two days after getting back from Greece. I had a very clear image in my head of a specific view in Milos, Greece. It was a view I studied from our balcony for four days and attempted to commit to memory around different times of day. Landscape painting is a theme I always struggle with because I lose interest and as a result somehow over complicate the whole thing. However, the opportunity to paint a landscape which I felt a personal connection to and was able to work on from memory made these pieces feel satisfying in the way my still life and figurative work can feel.
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